Kirill Gerstein, Berliner Philharmoniker & Kirill Petrenko (2024)

Biography Kirill Gerstein, Berliner Philharmoniker & Kirill Petrenko

Kirill Gerstein, Berliner Philharmoniker & Kirill Petrenko (2)Kirill Gerstein, Berliner Philharmoniker & Kirill Petrenko (3)
Kirill Gerstein
From Bach to Adès, pianist Kirill Gerstein’s playing is distinguished by a ferocious technique and discerning intelligence, matched with an energetic, imaginative musical presence that places him at the top of the international profession, with solo and concerto engagements taking him from Europe to the United States, East Asia and Australia. Born in the former Soviet Union, Gerstein is an American citizen based in Berlin whose heritage combines the traditions of Russian, American and Central European music-making with an insatiable curiosity. These qualities and the relationships that he has developed with orchestras, conductors, instrumentalists, singers and composers, have led him to explore a huge spectrum of repertoire both new and old.
In the coming season, Gerstein will feature as a Spotlight Artist with the London Symphony Orchestra, performing four concerti across the season at the orchestra’s Barbican Centre home and on tour, including Adès with Antonio Pappano, Rachmaninov and Ravel with Susanna Mälkki, and Gershwin with Simon Rattle. Gerstein’s flair for curation recently also found expression as Artist-in-Residence with the Bavarian Radio Symphony Orchestra, in presenting a three-part concert series entitled ‘Busoni and His World’ at London’s Wigmore Hall, and as resident artist at the Festival Aix-en-Provence.
Elsewhere during 2023-24 season, Gerstein will return to orchestras such as the Leipzig Gewandhaus with Nelsons, Deutsches Symphonie-Orchester Berlin and Chamber Orchestra of Europe with Ticciati, Orchestre national de France with Măcelaru, Rotterdam Philharmonic with Shani, Boston Symphony and Los Angeles Philharmonic with Adès, Munich Philharmonic with Popelka, Orchestra del Teatro alla Scala with Harding, Orchestre national de Lyon with Szeps-Znaider, Accademia Nazionale di Santa Cecila with Kavakos and with Hrůša, Tonhalle Orchester Zürich with Payare, Minnesota Orchestra with Søndergård, and the radio orchestras of Stuttgart, Hamburg, and Cologne, among others. In recital, Gerstein will reprise with Christian Tetzlaff Suite from The Tempest for violin and piano, which was written for them by Thomas Adès, for premières in New York, Washington, and Boston. Gerstein will also appear in solo recital at Carnegie Hall New York, Chamber Music Napa Valley, the Vienna Konzerthaus, and the Abu Dhabi Festival among others.
Kirill Petrenko
was born in Omsk in 1972 where he studied piano at the College of Music. At the age of eleven he gave his first public performance as a pianist with the Omsk Symphony Orchestra. In 1990 his family (his father a violinist and his mother a musicologist) relocated to Vorarlberg where his father worked as an orchestra musician and music teacher. Petrenko first continued his studies in Feldkirch before moving to Vienna to study conducting at the Academy of Music and Performing Arts.
His first job after graduation took him directly to the Vienna Volksoper where he was hired by Nikolaus Bachler as Kapellmeister. From 1999 until 2002 Kirill Petrenko was General Music Director at the Meininger Theater. It was in 2001 in his role as conductor of Wagner's Der Ring des Nibelungen, in the production by Christine Mielitz and with scenery by Alfred Hrdlicka, that he first achieved international acclaim. In 2002 Kirill Petrenko became General Music Director of the Komische Oper Berlin where, until 2007, he was credited with a series of highly significant productions.
During his time in Meiningen and Berlin his international career also began to flourish. In 2000 Kirill Petrenko made his debut at the Maggio Musicale Fiorentino, in 2001 at the Vienna Staatsoper and the Dresden Semperoper, in 2003 at the Gran Teatre del Liceu in Barcelona, the Opéra National de Paris, the Royal Opera House Covent Garden in London, the Bayerische Staatsoper, the New York Metropolitan Opera and in 2005 at the Oper Frankfurt. In Lyon, in collaboration with Peter Stein, he conducted all three Pushkin-inspired operas by Tchaikovsky (Mazeppa, Eugene Onegin and Pique Dame) from 2006 until 2008, which were also performed as a cycle in early 2010.
After moving on from the Komische Oper Berlin Kirill Petrenko worked as a freelance conductor. During this period his projects included conducting a new production of Leoš Janáček's Jenůfa (Production: Barbara Frey) at the Bayerische Staatsoper in 2009. In Frankfurt he conducted Pfitzner's Palestrina (Production: Harry Kupfer) and Puccini's Tosca (Production: Andreas Kriegenburg). In 2011 he worked on two new productions of Tristan and Isolde at the Opéra National de Lyon and at the Ruhrtriennale.
To date, the most important orchestras Kirill Petrenko has been invited to conduct include the Berlin Philharmonic, the Dresden Staatskapelle, the BR Symphony Orchestra, the Bayerische Staatsorchester, the WDR Cologne Symphony Orchestra, the Hamburg Philharmonic and the NDR Hamburg Symphony Orchestra, the Frankfurt Opern- und Museumsorchester, the Amsterdam Concertgebouworkest, the Vienna Radio Symphony Orchestra, the Vienna Symphony, the Cleveland Orchestra, the Chicago Symphony Orchestra, the London Philharmonic Orchestra, the Oslo Philharmonic Orchestra, the Santa Cecilia Orchestra in Rome, the RAI National Symphony Orchestra in Turin and the Israel Philharmonic Orchestra. Kirill Petrenko has also conducted concerts at the Bregenz and Salzburg Festivals. From 2013 to 2015 he swung his baton for the new production of Richard Wagner's Der Ring des Nibelungen during the Bayreuth Festival.
Since September 2013 Kirill Petrenko has been General Music Director at the Bayerische Staatsoper. He has held this position until the end of the 2019/20 season. Since 2013, he has taken to the rostrum for premieres of Die Frau ohne Schatten, La clemenza di Tito, Die Soldaten, Lucia di Lammermoor, Lulu, Die Meistersinger von Nürnberg, Lady Macbeth of the Mtsenk District and Tannhäuser as well as the world premiere of Miroslav Srnka’s South Pole and a revival of Wagner's Der Ring des Nibelungen among other works. In June 2015, Kirill Petrenko was named future Chief Conductor of the Berlin Philharmonic, starting this position in autumn 2019.
In the current season at the Bayerische Staatsoper Kirill Petrenko led an new production of Verdi's Otello and Strauss' Salome. Furthermore, Kirill Petrenko conducts revivals of Die Meistersinger von Nürnberg, Fidelio, and Parsifal as well as two Academy Concerts with the Bayerische Staatsorchester.

Kirill Gerstein, Berliner Philharmoniker & Kirill Petrenko (2024)


Has Berlin Philharmonic had a female conductor? ›

In case you missed it, last month Joana Mallwitz became chief conductor and artistic director of Berlin's Konzerthausorchester. The Hildesheim native broke a major glass ceiling, becoming the first woman to conduct one of the seven large orchestras in the German capital.

What is the Berlin Philharmonic known for? ›

Orchestra history. The Berliner Philharmoniker, founded in 1882, is recognised worldwide as the epitome of musical excellence. Legendary chief conductors with different artistic and personal profiles have accompanied the orchestra on its path and provided important impulses for its development.

Who is the current conductor of the Berlin Philharmonic? ›

Kirill Petrenko has been chief conductor and artistic director of the Berliner Philharmoniker since the 2019/20 season. Born in Omsk in Siberia, he received his training first in his home town and later in Austria.

Who founded the Berlin Philharmonic in 1972? ›

In a television interview that he gave in 1972 Herbert von Karajan described the foundation of the Orchestral Academy of the Berlin Philharmonic Orchestra on 25 June 1972 as “a moment of great happiness and good fortune”.

How much do Berlin Philharmonic musicians make? ›

The Berlin Philharmonic Orchestra musicians have civil serv- ice status. Their basic wage is generally equivalent to a govern- ment assistant cabinet minister. That means a basic salary of $27,600 per year including dependent and housing allowance.

Who was the first black female conductor? ›

Ofentse Pitse embodies a fierce sense of fun as she waves her conducting baton passionately in a dimly lit auditorium in Johannesburg, ahead of a one-of-a-kind show.

Who is the number one orchestra in the world? ›

The top-ranking orchestra, by a comfortable margin, remains the same: the Berlin Philharmonic.

What is the difference between a philharmonic and a symphony? ›

Is a philharmonic the same thing? Essentially, a philharmonic and a symphony are the same, the only true difference is the origin of the name. The words originate from the Greek words. Philharmonic means “love of harmony,” while the word symphony means “an agreement of sound.”

Is there a dress code for Berlin Philharmonic? ›

Dress code

Our guests wear what they want, from suits and evening dress to jeans and t-shirts. The choice is yours!

Is Kirill Petrenko Russian? ›

Petrenko was born in Omsk, Russian SFSR, Soviet Union, to a violinist father and musicologist mother. He is of Jewish descent. His father was born in Lviv (now in Ukraine). Petrenko studied piano as a youth and made his public debut as a pianist at age 11.

How good is Kirill Petrenko? ›

Petrenko achieved a rare sound mélange of mystery and playfulness, evoking an atmosphere that was indeed oneiric. By highlighting certain timbral qualities, reliant on strings, woodwinds and percussion such as the xylophone and celesta, Dutilleux's debt to Bartók was readily apparent.

Who was the first woman in the Berlin Philharmonic? ›

The Swiss Madeleine Carruzzo was the first woman to be offered an audition with the Berliner Philharmoniker, and in 1982 she took up her position in the first violin section – exactly one hundred years after the orchestra was founded.

When did Simon Rattle leave Berlin Philharmonic? ›

Rattle was principal conductor of the Berlin Philharmonic from 2002 to 2018, and music director of the London Symphony Orchestra from 2017 to 2023. He has been chief conductor of Bavarian Radio Symphony Orchestra since September 2023.

How many symphony orchestras are in Berlin? ›

Berlin features a unique landscape of musical institutions of national and international repute. Led by internationally renowned conductors, the city's orchestras perform to an extraordinarily high standard. The Federal State of Berlin currently provides funding to seven major orchestras.

Who is the principal trumpet of the Berlin Philharmonic? ›

Principal Trumpet

Guillaume Jehl began playing the trumpet at the age of eight in his Alsatian hometown. He studied at the conservatory in Mulhouse and graduated with distinction from the Paris Conservatoire.

Is the Berlin Philharmonic all male? ›

The Berlin Philharmonic, widely considered Europe's other great orchestra, admitted Swiss violinist Madeleine Carruzzo as its first female in 1982 and currently has 26 women, 99 men, and five vacancies.

Are there any female orchestra conductors? ›

Sexism in the classical music world has excluded women from conducting for centuries, but that hasn't stopped passionate women from leading orchestras. According to Bachtrack's annual survey, in 2013 only one of the world's top 100 conductors was female, as of 2022 there are now 12 women on that esteemed list.

Has a woman ever conducted the Vienna Philharmonic? ›

In January 2005, Australian conductor Simone Young became the first woman to conduct the Vienna Philharmonic.

Who is the female concertmaster of the Berlin Philharmonic? ›

Vineta Sareika-Völkner, newly appointed concertmaster of the Berlin Philharmonic, is the first woman in the role in the orchestra's 141-year history. A. A.


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